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From the Skull American flag freedom isn’t free I paid for it united states veteran shirt in addition I really love this cover of her debut album Portfolio (1977) to her fabled disco nights at Studio 54, her visage was perpetually awash in Technicolor pigments—swaths of midnight blue shadow on the lids, fiery rouge on the cheeks graduating up to brows—and punctuated by Cleopatra-esque winged eyeliner, hyperbolized arches, and dark bordeaux lips. And through the next decade, blurring New Wave, disco, and reggae with dance floor hits like “Pull Up to the Bumper” and “Slave to the Rhythm,” she kept pushing beauty boundaries—even on screen, as a fully decked out Bond girl with overt sex appeal in A View to a Kill (1985) and as a surrealist stripper with a flair for off-kilter visual statements (shocking red wigs! Silver-tipped talons! Metallic violet lips!) and mosaic body art painted by artist Keith Haring in Vamp (1986). Since her ’80s heyday, Jones hasn’t stopped serving up rapturous sounds and stylings from another universe. Here, a look back at her most enduring beauty looks.
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